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"I hardly think the duchess is the sort of woman to say yes when she meant no," says Nicholas, with a half smile. "She went because it so pleased her, and for no other reason. I begin to think, indeed, that Lilian Chetwoode is rather out of it, and that Mona is the first favorite at present. She has evidently taken the duchess by storm." With mingled feelings he quits his home, and all the way up to London in the afternoon train weighs with himself the momentous question whether he shall or shall not accept the unwilling invitation to the Towers, wrung from his mother. He drops her arm, and looks as though he is prepared to drop her acquaintance also, at a moment's notice..
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Paul Rodney, true to his word, has put in an appearance, much to the amazement of many in the room. Almost as Mona's dance with Nolly is at an end, he makes his way to her, and asks her to give him the next. Unfortunately, she is not engaged for it, and, being unversed in polite evasions, she says yes, quietly, and is soon floating round the room with him. "To-day, you mean: you will only have to wait a few short hours," she says, gratefully. "Let us leave this hateful room," with a shudder. "I shall never be able to enter it again without thinking of this night and all its horrors." "Oh, I got the ould man to bed hours ago; for I knew if he stayed up that he'd get mortial wearin', an' be the death of us if he knew ye were out so late. An' truth to say, Miss Mona," changing her tone from one of extreme joy and thankfulness to another of the deepest censure, "'twas the world an' all of bad behavior to be galavantin' out at this hour." "Not until you tell me what made you cry.".
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